Another important aspect is “the multiplexes”. The cinemagoers at the
multiplexes are middle, upper middle, influential and high social class
people who’d alter themselves to see Hindi/English movie rather than
Nepali movies. Though, to some extent, the Nepali films have craved
their path and pull the Bollywood/Hollywood audiences, multiplexes alone
are not sufficient to make it commercial. At the same time, the changes
that the New makers are vying for has created a freedom on other makers
to make “films of their choices” and divert the audiences from the
general grip. No wonder, the non-multiplexes cinema makers are making
money at the cost of New Cinema Makers who concentrated more on quality.
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